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'The use of words' Maya Mémin - Editions WIGWAM - and the creations of a great artist in the world readable

Mémin Maya, etcher, has to his credit many solo and group exhibitions, the latter both in France abroad (China, Spain, Poland).

In 2007, she participated in the Festival of PEU to Bonson - Alpes-Maritimes, which hosts high-level artists recognized nationally or internationally.

LINK: http://www. festivaldupeu.org / all / artistesdupeu / artistesdupeu.html

The use of words, Maya Mémin - Editions WIGWAM - Collection 'Writings Artist' - With a burning isobars produced by Maya Mémin
LINK: Editions WIGWAM

http://www.wigwametcompagnie.net/collectionecritsdepeintres.htm

Maya Menin, artist and engraver on zinc supports paper, discusses his work with simple words, without enclosures: action words. "Everything goes through my etching press. It has become my tool expression. That replaces the mechanical pencil I am fully satisfied. "" I do not forget the role of the paper. This is my reflection material (... ). The paper also creates light (...). " Heaven Maya Menin burns, always smelling of his years in Phnom Penh "Gold leaf is often present in my work. (...) In Phnom Penh, there she part of a ritual: the day does can begin only after having saluted the altar of the ancestors through sticks of incense and gold leaves scribbled messages and then burned (...). " The precious monochrome takes and makes his day in Marrakech, dyers souk in the streets filled with banners, and retains the fascinating "at 10 am they start with the blue, then green and purple. At noon the yellow springs, disrupting purple. Then it was the turn of the red. . . It ends with the black "; " Evidence of monochrome. What I also try to achieve in developing to my own banners .
"Being sensitive to the world, yes (...)." "Being here, feet in the ground and head in the sky, like a grain of rice" Mémin enough to Maya.

I. Dalbe

creations of a great artist addicted to world readable

LINK: to visit the beautiful Maya site Mémin - Besides the works is to see the press as the wheel is so high it took to turn it to make a hole in the ceiling -

http : / / maya.memin.pagesperso-orange.fr/index.html

"The starting point of Maya Mémin is burning. This has ensured the loyalty of many fans and many bibliophiles which were quickly joined delicate poets and writers. Everyone is fascinated by his work on the vibration of inks, the most intense black to the most impalpable, and more pronounced when unexpected the word''burning''of colors that it deals in large-dishes, it superimposed on a harmony that will give birth to know the meeting of any material, the most monumental piece of Zinc finest leaf or feather, and compares it collects on its press, inks and paper. " Blottière-Sylvie Derrien

" We are facing a bloated work carnal impulses. Legibility of the world offered through a press and the grace of an artist "Danielle Robert-Guédon :

handmade paper : From Asia "has reported specific sensitivity to light, the taste of paper, its subject matter. " D. Robert-Guédon

Zinc roof : fallen under the influence of wind or the ravages of time "gutters, roof vents or roof, disjointées, disjointed and flattened, become the matrix of a single passage in the press. Put flat on paper, their volume seems strangely returned. They remind us a building. House, temple, tombstone: In memory of what they were. " Loic Hervé

Disposable Surgical Gowns: Maya Mémin" met, the word is not moved almost a''paper'', non-woven sterile gowns used in hospitals (...) , grabbed it to transform the course of his press, which thanks to subtle arrangements, well calculated to passages,''she was''inked into sumptuous clothing, jumpers or dalmatics, primed for mysterious festivals, vetures graceful or icons of worship which we would like to be faithful, or better still serving, so that it counter for a makeover unspeakable. " S.Blottière-Derrien

Disposable Gown (2000) - photo by P. Gaigneux

Facilities - Labyrinth Magical Realism-visible-invisible ways of living the time, place -
"Every part of his work can not flourish as dimensions of the banner or banner it expertly honed presentation. " S. Blottière-Derrien

"(...) Banners stretched suggest the play of ambulation. Banners that you like flipping through books whose backs would narrowband darker or lighter color punctuating the circle. (...) Papers noble or wrapping paper, little important, provided they can proceed without concern for distance. " D. Robert-Guédon

MJC great Cordel Rennes - 1999 'Range Pantone'

The color and color: "(...) if the black was a homage to Richard Serra, colors today show admiration for Mark Rothko. (...). The monochrome is not an abstract concept to her, he emerges from the souks of Marrakech where dyers extend their tissues, as a port of the East where the sails flapping. " D. Robert-Guédon

Stamping : in favor of a year in China (2002)
"Deprived of my etching press, j'estampe drain covers campus where we live" - Inventory earth- -to-earth Maya Mémin

Exhibitions: "The appropriation of space is part of the art of Maya (...)" G. Prémel

LINK: access to exhibitions

http://maya-memin.com/OEUVRES/livres.html

Mémin Maya, Edition "(...) Set the color and color in the kinship of words and metaphors. . . the proximity of the letters and words with color creates a light second " Yves Bergeret
Maya Mémin Collaboration with poets and writers to illustrate their texts. Unique form of books or artists' books (with engravings printed)