Cover Book ERRATA
Ink and watercolor Bruno Montpied
''Battleground''dream
ERRATA is a supplement of the umbo PAPERS No. 12 with, in his summary poems and texts:
-''The MOROCOSMIE or folly, vanity and inconstancy of the World'' CHESNE Joseph's (1544-1609) poet physician and chemist Paracelsus and Calvinist, adviser and friend of Henry IV, Du Bartas.
- ''NOTICE'' of Olivier HERVY
"Every day, the beggar in front of the bakery is entitled to their pain au chocolat and his wand, yet this does not give him the idea to sit rather near the jewelry. "
- jubilant''to break, writing off'' Alain Le Saux
" on his long lanky legs strong, he has the eyes of Wed suspected of gray-green. "
- ''ODE TO THE MIRROR AND ALOUETTES'' Roberto SAN GEROTEO
" I saw the time pass in your eyes (.. .) "
LINK: To access the summary of the umbo PAPERS No. 12 (cover design by Emmanuel BOUSSUGE) - see the review in PHOTO BLOG sideband
LINK: To access the poem dedicated to Peter Alice Massénat Peuchmaurd, published in Cahiers de l'umbo No. 12
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ERRATA supplement, combined with the umbo PAPERS N ° 12, marks the end of issue of the Cahiers.
Les Editions de l'umbo announce the release of a new bulletin ''''The IMPROMPTU launched with the number zero.
In a very nice word
"The IMPROMPTU is a noise that dissipates. "
This bulletin-review, led by Jean-Pierre Paraggio remains in the vein of the Journal of the umbo, a very clean design, and, over the titles, had sometimes unknown authors such as Joseph du Chesne (Protestant poetry in form: the octave / octonaire enjoyed a fad in the intellectual milieu in Geneva at the end of the sixteenth century), but most of the current names of remarkable poetry: Peter Peuchmaurd Louis-François Delisse Guy Cabanel, Antonio Gamoneda, Jean-Yves Bériou Laurent Albarracin, Georges-Henri Morin Joel Gayraud, Alice Massénat, Marbrun Anne, Anne-Marie Beeckman and many others. Already, the Zero No account the presence of some of these poets. Also maintained the happy contribution illustrators (paints, inks, drawings, collage, graphite, photos).
4th cover:
text wonderfully pleasant
of Pierre PEUCHMAURD
" _ MONSTER STOP WAITING TIME BEST OR WORST _ STOP _ _ _ STOP STOP BEFORE WAR _ _ _ STOP HERE NOW CURB STOP URGENT _ _ _ _ STOP PAWS VELVET CRYSTAL HOOKS _ _ _ STOP READING THE GOLD IN THE AIR STOP _ _ (...) Excerpts - The La, Geneva, 1979
(after the text is discovered in the No. 0)
Contents of this number zero:
ARTWORK:
COLLAGE-Philippe Lemaire
-DRAWING 'The portrait of Neil' Emmanuel BOUSSUGE
-manipulated photo 'The Tribe of the Omo (Ethiopia) by Hans SYLVESTER
-DESIGNS WITH TEXTS LEGENDS-Barthelemy SCHWARTZ
PHOTO Jacques FERRANDIN
POEMS AND TEXTS:
- 'FRUITS AND VEGETABLES, 2009 from Poem Roberto SAN GEROTEO
- IT IS A TIME ' Extracts - Editions tangle - 2009 Alain Le Saux
"It is time to spell the viper on its noon stone "
"It is time to spell the viper on its noon stone "
- 'DEATH AND LIVE' Poem 2009 Louis-François Delisse
- 'ON THE VENOM CHERVIL' - ditty - Jean-Yves BERIOU - Preview of 'The 'Bring THINGS' Edit Escampette - 2010
-ARTICLE Laurent ALBARRACIN commenting with exacting precision and finesse Supreme Paper, above, Jean-Yves Bériou:
"With Jean-Yves Bériou, and as the title suggests this marvelously chosen collection, it is immediately before a melancholic anger, a fury warrior who is also tired, desperate. It is immediately in the observation (disillusioned but not cold) that things left to themselves engage in their share of violence, destruction (...).
ago in Jean-Yves Bériou, together with an anger, a great attraction for transparency to the flow of things. Do not try to retain the way of the world is with him at best and keep it closer to its evidence, even though it is violent, blind, iterative, it is superimposed the world as purer world, barbaric and Royal, a world plagued by his demons - but to its external demons, so to say
''Besides, death crosses the course of water, like a bear-crazed, honey burning desire in the face, on the vulva flower in tears. I guess the bear, desire, honey, vulva, flower, tears, black, I guess even the eye and smell, but I can not imagine death''(p. 17)
Amazing bear's death is a c bear panting, terrified at the point of losing his first consonant, presumably to better incarnate. Indeed, it is not death that can imagine (not exist) or even his race around the world, still too abstract, but only "the bear-crazed" death with all its sexual attributes and devouring. Stunning image that stems from the acceleration of poetry, where the sliding hyperbolic (the passage from death to his race) and enucleation of a letter (Running ourse) operate what can only be called a vision. They are not so many poets today can certainly visions and Jean-Yves Bériou is one. Visions for deployment to images both grand and extremely thin, which will for example see (...)'' acid head of a bird ''(p. 63) (.. .) " - Excerpts from the article THE
ago in Jean-Yves Bériou, together with an anger, a great attraction for transparency to the flow of things. Do not try to retain the way of the world is with him at best and keep it closer to its evidence, even though it is violent, blind, iterative, it is superimposed the world as purer world, barbaric and Royal, a world plagued by his demons - but to its external demons, so to say
''Besides, death crosses the course of water, like a bear-crazed, honey burning desire in the face, on the vulva flower in tears. I guess the bear, desire, honey, vulva, flower, tears, black, I guess even the eye and smell, but I can not imagine death''(p. 17)
Amazing bear's death is a c bear panting, terrified at the point of losing his first consonant, presumably to better incarnate. Indeed, it is not death that can imagine (not exist) or even his race around the world, still too abstract, but only "the bear-crazed" death with all its sexual attributes and devouring. Stunning image that stems from the acceleration of poetry, where the sliding hyperbolic (the passage from death to his race) and enucleation of a letter (Running ourse) operate what can only be called a vision. They are not so many poets today can certainly visions and Jean-Yves Bériou is one. Visions for deployment to images both grand and extremely thin, which will for example see (...)'' acid head of a bird ''(p. 63) (.. .) " - Excerpts from the article THE
remarkable poet, some of his own texts, are also online here: http://pierre.campion2.free.fr/calbarracin.htm
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CONTACT: To obtain L'Impromptu No. 1 - Collection of the Umbo -
SUMMARY: Louis-François Delisse ~ Miguel de Carvalho ~ ~ Stéphane Maignan Rik Lina ~ Anne-Marie Beeckman ~ Georges-Henri Morin ~ ~ Alice Massénat Marcel Miracle ~ ~ Stanislas Rodansky Lawrence Albarracin ~ ~ Pierre Jean Peuchmaurd Durançon Ludwig Zeller ~ ~ Roberto San Geroteo Philippe Lemaire ~ ~ John Paul Martino ~ etc..
Published December 2010
5 euros per copy including postage - Support: 15 euros
5 euros per copy including postage - Support: 15 euros
Jean-Pierre Paraggio 33, Avenue Jules Ferry 74100 ANNEMASSE
jeanpierreparaggio@yahoo.fr
jeanpierreparaggio@yahoo.fr
LINK Site of Jean-Pierre Paraggio:
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NOTE: the publication in October 2010 'THE DREAM CLAIRIERE' of Joel GAYRAUD with illustrations by Jean-Pierre Paraggio in the collection of Umbo - 14 EUROS INCLUDING SHIPPING - CONTACT above -
I. Dalbe
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